Apex 460 Microphone

The already popular and best-seller APEX420 and APEX430 large diaphragm studio capacitors have already been redefining the price / performance barrier. The new APEX 460 vacuum tube condenser microphone continues this trend by raising the bar on performance while continuing to lower the price barrier for studio-quality microphones. The Tube Microphone APEX460 aggressive price is still higher polling large diaphragm condenser studio can easily compete with much more expensive microphones in this category.

Features APEX460
A unique feature of this microphone is the choice of nine modes polar readily available on the switch on the front panel of external power. Rather than limiting the user for the three popular models (omni, cardioid, figure eight and model) most commonly available, APEX-460 has degraded three steps between each model. This allows the studio engineer or home recordist much more versatility. In voice applications where a model omni is not quite 'fat' enough, but cardioid is too narrow, you now have three additional steps to find the right balancing act between the two standard models. There is also the other three stages between cardioid and figure-8 pattern.
Improving the quality in an affordable device has helped power the serious amateur home studio or small project studio. The microphone is the first and often the most important link in the chain signal. The APEX460 is high performance, but really affordable large diaphragm condenser microphone. They are an excellent choice for the main microphone for any professional studio, home studio, or a computer to function directly on the hard disk recording systems now available.

Because of their robust construction, high processing capacity of SPL and affordable, APEX460 is also an excellent choice for live sound recording or live. They have proved their worth as overhead microphones for drum kits, guitar or bass cabinets where superior sound quality and high sound pressure handling is necessary, or as the microphone of choice for saxophones, flutes, acoustic guitar or acoustic bass where the subtlety and clarity is essential.

Singers can use the proximity effect to their advantage, by adding more fullness et''bas''à voice. Experienced singers can easily integrate part of their overall micro technology. Again, experimentation with micro placement during the registration process is key. The omni-polar model does not exhibit this effect.